Raphael
Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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Raphael Madonna Esterhazy oil painting


Madonna Esterhazy
circa 1508(1508) Medium oil on panel cyf
Painting ID::  96155
Raphael
Madonna Esterhazy
circa 1508(1508) Medium oil on panel cyf
   
   
     

Raphael Portrait of a Youth oil painting


Portrait of a Youth
oil on board Dimensions 59 X 75 cm cyf
Painting ID::  96490
Raphael
Portrait of a Youth
oil on board Dimensions 59 X 75 cm cyf
   
   
     

Raphael The Entombment oil painting


The Entombment
1507(1507) Medium oil on panel cyf
Painting ID::  97087
Raphael
The Entombment
1507(1507) Medium oil on panel cyf
   
   
     

Raphael The Entombment oil painting


The Entombment
1507(1507) Medium oil on panel cyf
Painting ID::  97088
Raphael
The Entombment
1507(1507) Medium oil on panel cyf
   
   
     

Raphael Jerome Punishing the Heretic Sabinian oil painting


Jerome Punishing the Heretic Sabinian
1503. Oil on panel, 10 1/8 x 16 1/2 in. (25.7 x 41.9 cm.) Date c. 1502-1503 cyf
Painting ID::  97160
Raphael
Jerome Punishing the Heretic Sabinian
1503. Oil on panel, 10 1/8 x 16 1/2 in. (25.7 x 41.9 cm.) Date c. 1502-1503 cyf
   
   
     

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     Raphael
     Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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